genre: jazz fusion

Craig Pilo's  Unsupervised  (2011)

Jazz Funk

       

After a year of partnering with other composers and producing music for the music supervisors of TV, film, and media, drummer Craig Pilo has endeavored to take a moment (or several months) to stay true to where his heart and soul lies.  Hence the CD's title, which represents what can be created when not given any perimeters. 

Produced by Craig Pilo for Rue de la Harpe.  Featuring The Craig Pilo Trio: Craig Pilo, Ed Czach, and Jim King.  And a host of special guest artists:  Mitch Forman, Chris Smith, Rick Baptist, Bill Esparza, Brian Brigham, and Angela Carole Brown.
                        
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genre: drum & bass

Angela Carole Brown & Craig Pilo's  CAUGHT  (2011)

A Drum & Bass-Techno-Trance Single

 

         

 

This single by singer/songwriter Angela Carole Brown and drummer/producer Craig Pilo (longtime collaborators from their days together with The Slow Club Quartet) takes its inspiration from the industrial, trance, and drum-&-bass movements that came out of the 1990s. A poet long before she was a musician and composer, Angela Carole Brown's unique use of the poetic to craft a theme of elevated thought, stands this track out from the rest. Produced by Craig Pilo for Rue de la Harpe.

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genre: orchestral hybrid

The Orchestre Surréal's MANIC VOODOO LADY  (2009)

A Tribute to the Music of Hendrix

 

    

Award-winning arranger and composer Elvis Schoenberg, and his Orchestre Surréal, a twenty-five-piece group of daring, top, Los Angeles studio musicians who fuse classical, jazz, rock, hip hop, and world music into an hilarious, seductive mélange, stripping away the barriers of cultural, generational, and artistic prejudice, and promoting the message of open-mindedness through music.

Manic Voodoo Lady is Elvis Schoenberg's unique and respectful tribute to the music of Jimi Hendrix, where classic songs such as Fire are transformed into a Stravinsky-esque ballet suite, Little Wing, featuring Ken Rosser on the pipa, becomes a visual dance of a Chinese Courtesan, and Voodoo Child is the lair of a witch doctor with African Rhythms, aggressive Bella Bartök-esque strings and a choir of haunting voodoo chanting. Elvis Schoenberg's arrangements are as iconic as the songs themselves. The album (yes, we here at RDLH still refer to them as albums!) features guitarists Scott Henderson, Jeff Miley, Jimmy Mahlis, Kurt James and Ken Rosser; and vocalists Angela Carole Brown, April Fissell, Nick Hernandez, and Jason Paige.

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genre: jazz

The Slow Club Quartet's EXPRESSIONISM  (2008)

A Jazz/Rock Reinvention

 

(Hollywood Music Award Nominee)

 

    

After the release of their all-original first CD, Angela Carole Brown's The Slow Club, this unique jazz quartet, now known as The Slow Club Quartet, established a kind of Expressionist Jazz Movement. Now, with EXPRESSIONISM, their newest release by Rue de la Harpe Records, and named for this specific turn in their artistic development, the SCQ has covered the songs of their favorite songwriters. 

But true to a movement known for its "eruption of irrational and chaotic forces from beneath the surface of a mechanized world," The SCQ has forsaken the typical "standards" CD that jazz artists are usually known for, and instead has created a cross-genre experience, which dips neither into fusion nor smooth jazz, but something altogether otherly.  Jimi Hendrix, Tom Waits, and Elliott Smith, to name a few, have been given The Slow Club Quartet's uniquely expressionistic stamp.

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genre: singer/songwriter folk

Angela Carole Brown & Ken Rosser's MUSIC FOR THE WEEPING WOMAN  (2008)

A Post-Modern Folk Odyssey

 

       

This intimate folk-infused pas de deux was inspired by Picasso's "The Weeping Women," a compelling series of portraits of women in various depictions of despair. Singer/songwriter Angela Carole Brown was moved to compose a body of songs that reflected as much, but more.  She extended that concept to include not only states of despair, but, as well, celebration, yearning, self-examination, joy, and cleansing, all instigators of that poignant phenomenon, the shedding of tears.  Here she collaborates with guitarist virtuoso Ken Rosser, a musician who experiments with textures and uses stringed instruments (of which he plays a multitude, from all over the world) in envelope-pushing ways, just so he can capture a smidgen of gorgeous pathos. 

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genre: yoga / new age

Angela Carole Brown and The Global Folk's GLOBAL YOGA  (2007)

A Yoga-Mindfulness class

 

(CDBaby "Editor's Pick"  for  New Age: Energy Healing)

 

  

 

From singer-songwriter Angela Carole Brown comes the new Yoga-Mindfulness CD.  A completely auditory session that gives you the flexibility to practice yoga anywhere you can take a boom box, this one-hour program includes relaxation techniques, Sun Salutations, strength asanas, a brief study of the chakra centers, and Mindfulness and Compassion Meditation.  With original music by the ambient-folk group The Global Folk.

 

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genre:  jazz fusion

Craig Pilo's JUST PLAY  (2007)

A Thrash Jazz Endeavor

 

(Winner of the Los Angeles Music Award in the category of Best Jazz Artist)

     

 

Craig Pilo's debut jazz CD with Rue de la Harpe Records, enhanced and interactive with live video footage, has been described as a "thrash jazz endeavor!" upending jazz-repertoire stalwarts and burning holes in their "standards" status, as well as peppering the proceedings with a few Pilo originals. Just Play hearkens back to a kind of Cannonball-Zawinul environment of space and sound, featuring a Fender Rhodes rhythm section, and a few notable guests, including: Mitchel Forman, Tom Kennedy, Ed Czach, David Enos, Roman Dudok, and more. 

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genre:  jazz

Angela Carole Brown's THE SLOW CLUB  (2005)

Straight-ahead Original Jazz

 

(2006 Just Plain Folks Music Award nominee)

 

   

 

A dark and moody jazz spot on the Rue du Rivoli sends one down a winding staircase for an experience not to be forgotten. So it is with singer-songwriter Angela Carole Brown's long-awaited jazz CD of the same name, a collection of compositions that speaks to the dark and moody in each of us, and which features her straight-ahead ensemble (since knighted The Slow Club Quartet), Ed Czach, Jonathan Pintoff, and Craig Pilo, a gifted troupe of players whose widely differing musical personalities blend perfectly to create a unique recipe of sound.

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genre: ambient folk

Angela Carole Brown's RESTING ON THE ROCK  (2004)

Alterna-Folk featuring The Global Folk

 

(Held at #5 on American Idol Underground for nine weeks)

 

    

 

A contemplative canon of original songs, drawing inspiration from folk music and lore, singer/songwriter Angela Carole Brown's ambient Post-Modern folk ensemble, The Global Folk, led by Ken Rosser, Ross Wright Paul Angers, and Skins Coulter, performs on beautiful, exotic and spiritual instruments from other lands. Their multi-cultural contribution has reshaped a middle-class American songwriting experience into something quite otherly, making it more than musical. It becomes shamanic.


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genre: orchestral

The Orchestre Surréal's AIR SURREAL  (1998)

Zappa-esque 26-piece orchestral experimentation

 

(2000 L.A. Weekly's "Pick of the Week")

 

    

 

Rue de la Harpe Records is proud to announce the acquisition of Allegro Non Troppo Records' catalogue, beginning with its debut recording by The Orchestre Surréal, a 26-piece, one-of-a-kind, eclectic, comedic experience that defies categorization. Conducted by the deranged baton of Elvis Schoenberg (the musical miscegenation of the king of rock, Elvis Presley, and the king of early 20th-century dodecaphonic music, Arnold Schoenberg), Air Surreal combines rock-n-roll classics with the classical masters, as well as all sorts of world and ethnic music, jazz improvisation, opera, and underscored spoken monologues, for a thoroughly theatrical listening.  Imagine a collaboration with Jimi Hendrix and Strauss, Jim Morrison and Debussy....or Elvis and Arnold.  This melting pot of musical sounds creates an exhilarating experience that captures the imagination and interest of only the most hilariously disturbed.


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genre: orchestral

The Orchestre Surréal's IT'S ALIVE!  (2003)

The 2nd from the mad baton of Maestro Schoenberg
 

     

 

The Orchestre Surréal's second outing is even more of an unholy marrying of musical genres, this time with a decidedly B-flick horror movie thematic to tempt you along.  Again conducted by the mad baton of Elvis Schoenberg, and featuring the loopy, death-defying vocals of The Fabulous Miss Thing and Dangerous Dan O'Callaghan, It's Alive! coaxes with monstrous renditions of everything from the Beatles to Puccini.  


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Copyright 2009 by Rue da la Harpe Records