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genre: jazz

The Slow Club Quartet's EXPRESSIONISM  (2008)

A Jazz/Rock Reinvention

 

(Hollywood Music Award Nominee)

 

    

After the release of their all-original first CD, Angela Carole Brown's The Slow Club, this unique jazz quartet, now known as The Slow Club Quartet, established a kind of Expressionist Jazz Movement. Now, with EXPRESSIONISM, their newest release by Rue de la Harpe Records, and named for this specific turn in their artistic development, the SCQ has covered the songs of their favorite songwriters. 

But true to a movement known for its "eruption of irrational and chaotic forces from beneath the surface of a mechanized world," The SCQ has forsaken the typical "standards" CD that jazz artists are usually known for, and instead has created a cross-genre experience, which dips neither into fusion nor smooth jazz, but something altogether otherly.  Jimi Hendrix, Tom Waits, and Elliott Smith, to name a few, have been given The Slow Club Quartet's uniquely expressionistic stamp.

         The Slow Club Quartet has delivered an impactful smorgasbord of musical delights, exquisitely exploring the
               jazz tradition, and taking up in gamely fashion the concept of a 'new standard', or a jazz take on
                       some of the more recent pop and rock material, which looms large."
                                      
––– John Stevenson, EJazzNews

 

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genre: singer/songwriter folk

Angela Carole Brown & Ken Rosser's MUSIC FOR THE WEEPING WOMAN  (2008)

A Post-Modern Folk Odyssey

 

       

 

This intimate folk-infused pas de deux was inspired by Picasso's "The Weeping Women," a compelling series of portraits of women in various depictions of despair. Singer/songwriter Angela Carole Brown was moved to compose a body of songs that reflected as much, but more.  She extended that concept to include not only states of despair, but, as well, celebration, yearning, self-examination, joy, and cleansing, all instigators of that poignant phenomenon, the shedding of tears.  Here she collaborates with guitarist virtuoso Ken Rosser, a musician who experiments with textures and uses stringed instruments (of which he plays a multitude, from all over the world) in envelope-pushing ways, just so he can capture a smidgen of gorgeous pathos. 

                   “Simply Beautiful”   ––– London’s Kalling
 

 

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genre: yoga / new age

Angela Carole Brown and The Global Folk's GLOBAL YOGA  (2007)

A Yoga-Mindfulness class

 

("Editor's Pick" from CDBaby in the category of New Age: Energy Healing)

 

  

 

From singer-songwriter Angela Carole Brown comes the new Yoga-Mindfulness CD.  A completely auditory session that gives you the flexibility to practice yoga anywhere you can take a boom box, this one-hour program includes relaxation techniques, Sun Salutations, strength asanas, a brief study of the chakra centers, and Mindfulness and Compassion Meditation.  With original music by the ambient-folk group The Global Folk.

 

                  "Global Yoga is transcendental, the words magical, incisive and true. This is a gorgeous and inspirational CD."
                                       - Lily Knight, The Awareness Center

 

 

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genre:  jazz fusion

Craig Pilo's JUST PLAY  (2007)

A Thrash Jazz Endeavor

 

(Winner of the Los Angeles Music Award in the category of Best Jazz Artist)

 

     

 

Craig Pilo's debut jazz CD with Rue de la Harpe Records, enhanced and interactive with live video footage, has been described as a "thrash jazz endeavor!" upending jazz-repertoire stalwarts and burning holes in their "standards" status, as well as peppering the proceedings with a few Pilo originals. Just Play hearkens back to a kind of Cannonball-Zawinul environment of space and sound, featuring a Fender Rhodes rhythm section, and a few notable guests, including: Mitchel Forman, Tom Kennedy, Ed Czach, David Enos, Roman Dudok, and more. 
 

                 "A highly dynamic jazz fusion atmosphere filled with positive energy.

                    'Just Play' showcases the work of an experimented musician whose

                        bold personality is evident throughout the album."

                                           ––– Jazz World Quest

 

 

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genre:  jazz

Angela Carole Brown's THE SLOW CLUB  (2005)

Straight-ahead Original Jazz

 

(2006 Just Plain Folks Music Award nominee)

 

   

 

A dark and moody jazz spot on the Rue du Rivoli sends one down a winding staircase for an experience not to be forgotten. So it is with singer-songwriter Angela Carole Brown's long-awaited jazz CD of the same name, a collection of compositions that speaks to the dark and moody in each of us, and which features her straight-ahead ensemble (since knighted The Slow Club Quartet), Ed Czach, Jonathan Pintoff, and Craig Pilo, a gifted troupe of players whose widely differing musical personalities blend perfectly to create a unique recipe of sound.

 

          "Angela Carole Brown shows a remarkable breadth 

                          and depth of artistic vision."

                                  ––– J. Stevenson, EJAZZNEWS, England

 

 

 

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genre: ambient folk

Angela Carole Brown's RESTING ON THE ROCK  (2004)

Alterna-Folk featuring The Global Folk

 

(Held at #5 on American Idol Underground for nine weeks)

 

    

 

A contemplative canon of original songs, drawing inspiration from folk music and lore, singer/songwriter Angela Carole Brown's ambient Post-Modern folk ensemble, The Global Folk, led by Ken Rosser, Ross Wright Paul Angers, and Skins Coulter, performs on beautiful, exotic and spiritual instruments from other lands. Their multi-cultural contribution has reshaped a middle-class American songwriting experience into something quite otherly, making it more than musical. It becomes shamanic.

 

        "The journeys through darkness are full of

                       heart and fearless."

                               ––– Lily Knight, THE AWARENESS CENTER   

 

 

 

 

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genre: orchestral

The Orchestre Surral's AIR SURREAL  (1998)

Zappa-esque 26-piece orchestral experimentation

 

(2000 L.A. Weekly's "Pick of the Week")

 

    

 

Rue de la Harpe Records is proud to announce the acquisition of Allegro Non Troppo Records' catalogue, beginning with its debut recording by The Orchestre Surral, a 26-piece, one-of-a-kind, eclectic, comedic experience that defies categorization. Conducted by the deranged baton of Elvis Schoenberg (the musical miscegenation of the king of rock, Elvis Presley, and the king of early 20th-century dodecaphonic music, Arnold Schoenberg), Air Surreal combines rock-n-roll classics with the classical masters, as well as all sorts of world and ethnic music, jazz improvisation, opera, and underscored spoken monologues, for a thoroughly theatrical listening.  Imagine a collaboration with Jimi Hendrix and Strauss, Jim Morrison and Debussy....or Elvis and Arnold.  This melting pot of musical sounds creates an exhilarating experience that captures the imagination and interest of only the most hilariously disturbed.

"Though the arrangements are on the edge of parody and will bring a smile to the face, they never cross the line over into mockery. The songs are a tribute to diversity and convey a complimentary cosmic celebration."

                                           ––– TR Black, BLACKEYE

 

 

 

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genre: orchestral

The Orchestre Surral's IT'S ALIVE!  (2003)

The 2nd from the mad baton of Maestro Schoenberg

 

(2003 L.A. Music Award Winner for "Best Rock Opera")

 

     

 

The Orchestre Surral's second outing is even more of an unholy marrying of musical genres, this time with a decidedly B-flick horror movie thematic to tempt you along.  Again conducted by the mad baton of Elvis Schoenberg, and featuring the loopy, death-defying vocals of The Fabulous Miss Thing and Dangerous Dan O'Callaghan, It's Alive! coaxes with monstrous renditions of everything from the Beatles to Puccini.  

 

"Elvis Schoenberg fearlessly jumps boundaries of genre and taste in a single leap. His collages of this and that bring Frank Zappa to mind, but the lampooning here seems more affectionate and respectful of his audience's love of pop culture."

                          ––– Richard S. Ginell, L.A. TIMES

 

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Copyright 2009 by Rue da la Harpe Records